Category Archives: Fame and Celebrity

My Calendar for 2017

While I was busy adding dots to an ink drawing back in November of 2015, a colleague suggested I release my drawings in a calendar format. It seemed like a way to make money, but in an internet/Walmart world, mass production-cheap labour products tends to steal the thunder away from simple craftsmanship. Still, I figured this would be a little publicity, and a way for my friends to take home some of my art in a relatively inexpensive way.

I had the theme already in mind; what if today’s personal technology and social media were around in the past?  I was working on an image of an astronaut taking a selfie on the moon, and the title “iHistory” popped into my head. Well, I started in earnest, and soon realized what a lot of work this was going to be.

All 12 images
All 12 images

Flash forward to August of 2016, and I finally finished off image number 12, Marilyn Monroe. With some disappointing experimentation, I found that trying to spend less than $20 for a good quality print was going to be a problem. I settled on a robust, cardboard-like, glossy paged format, where the images would last far past 2017. At this point, the idea of profit seemed far fetched to me, so I decided to simply break even. I rounded up to the nearest dollar to arrive at a non-threatening $25 per calendar.

Calendar 2017
Calendar 2017

Not many of you follow me out there in the blog/webpage world, but if you are interested, the calendar will be available into December of 2016, at the price of $25 in Canadian funds. Shipping within Canada is a reasonable $5, and Europe is around $10. If interested, send me a message, and we can work out the details.

New: Abbey Road Redux

Abbey Road Redux

I had a lot of fun on this project, and may just keep this one for myself. The idea was documented in my previous blog, but at that point, I didn’t realize the amount of mystique that surrounds this historic photo. Perhaps I shouldn’t say anything, but I just can’t keep a secret; hidden in this painting, are seven Beatle figures in action, a shadow portrait of Paul, and the Blue Meanies hand from Yellow Submarine. I’m sure you will notice now that I’ve brought them to your attention. The clues in this picture should get you started, but be aware some shapes are inverted or rotated.

Continue reading New: Abbey Road Redux

On My Easel: Abbey Road

I got this idea from a posting on Facebook by Toronto artist, David Clarkson. He uploaded his own version of the famous photo, notably missing all signs of life, including the Fab Four. His doctored photo instantly resonated with me, and I couldn’t get the image out of my head. This has to be the most iconic intersection in popular culture; at least for the past 50 years. Upon further discussion, I was send to a website displaying the outtakes for the original photo shoot. At this point, I was hooked.

While browsing through the other photos, I realized how familiar the badly parked white Volkswagen was. It seemed almost a part of my subconscious. I also noticed that Paul was actually wearing sandals, but took them off for the final barefoot shot. I just had to do something with this piece of information, so I added an abandoned sample of this footwear into my composition.

I don’t want to give away too much just yet, (hence the close-up in the graphic above), but all those darkly-shadowed trees cried out for some barely discernible shapes, suggestions…like maybe the Blue Meanies…but I won’t decide until I get to that part of the painting.

So, what am I trying to say here? I think my original fascination with a famous, but abandoned site, was the idea of time itself. Nothing stays the same. Although people still pose on this crossing every single day, the area is radically different. The world has moved on, and the Beatles are no more. I, myself, am some 45 years older.

And yet, there’s that car, in the exact same spot. It feels like it should always be there. But it’s not, and neither are George, Paul (shoes or no shoes), Ringo and John. For me, the passing of time can feel empty; memories fading. At what point in time, I wonder, will nobody know, much less care, about that bright, sunny summer afternoon, when the Abbey Road crossing was used to capture the imagination of so many people?