I find myself in the middle of a very strange project, and at times, wondering why I’m here. I keep wanting to follow my instinct of correcting and balancing the shapes before me, but I soon remind myself of the premise: to take an original child’s drawing, and make it as real as possible without significantly altering the content.
Although I have mixed feelings about this project, and it is nothing like my usual paintings, I have decided to give it my all. The Whole World is going to take at least another month, but as they say, “In for a penny, in for a pound!”
Most of my work is done from my own photo compositions. This playful experiment is another matter. I looked at some pictures of skies and clouds, but for the most part, I am making it up as I go. It’s a liberating feeling in some ways.
This is also a back to basics proposition for me. How will a particular shadow fall, given the lighting conditions? What, exactly, will be reflected on this metal surface? These are good mental exercises for any kind of artist. My art is based upon deconstructing, and then reconstructing the world around me. This painting can only expand my horizons, and as it stands, there are already four of them in the composition…